Sunday, April 6, 2014

Ebook Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

Ebook Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

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Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

Drawing People: How to Portray the Clothed Figure, by Barbara Bradley


Drawing People: How to Portray the Clothed Figure, by Barbara Bradley


Ebook Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

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Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

About the Author

Barbara Bradley was the Director of Illustration for 25 years at the Academy of Art College in San Francisco. She has taught several classes and workshops on drawing in the US, as well as in London. Her work is displayed in the Society of Illustrators Museum of American Illustration and in the permanent collection of the US Air Force. She lives in Berkeley, California.

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Product details

Hardcover: 176 pages

Publisher: F+W Media; 1 edition (October 27, 2003)

Language: English

ISBN-10: 9781581803594

ISBN-13: 978-1581803594

ASIN: 1581803591

Product Dimensions:

8.5 x 0.7 x 11 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

73 customer reviews

Amazon Best Sellers Rank:

#72,071 in Books (See Top 100 in Books)

I'm a painter, yet had no confidence in my ability to draw. Wanting to take my oil painting to the next level, I knew I'd need to learn to draw. I've purchased a dozen "how to draw" type books and most of then spend 3-4 chapters telling you what you need to draw. This book teaches you HOW to draw. I mean, let's be real; all you really need is paper, pencil, eraser, sharpener and this book.

Earlier this year, Barbara Bradley was selected by a jury of 75 illustrators, art directors and educators to receive the New York Society of Illustrators' 2007 Distinguished Educator of the Arts Award. "Drawing People: How to Portray the Clothed Figure" is an organized, comprehensive collection of the lessons this outstanding teacher and former illustration department director distilled from 25 years of teaching clothed figure drawing at San Francisco's Academy of Art University. The breadth of Bradley's knowledge and understanding of drawing made this an ambitious undertaking. The result is a book densely packed with key concepts and tips for producing believable, expressive, well-drawn figures.It is unfortunate that two of the recently posted reviews here are so bafflingly critical--especially since one is written by someone who admits he lacks the skill to draw clothed figures himself. As a working illustrator for over 20 years (Domitila: A Cinderella Tale from the Mexican Tradition,The Wishing Tree,Water Beds: Sleeping In The Ocean,Octavia And Her Purple Ink Cloud,The Rainforest Grew All Around), let me assure you that "Drawing People" is a valuable resource both for beginning artists as well as for more advanced, life-long students. Contrary to the title of my review, the inspiration and skills Barbara Bradley passed on to her many students is her real legacy. Her clothed figure drawing book is a bonus--a gift to those not fortunate enough to have experienced her teaching first-hand.

Bradley covers a lot of ground in this book on drawing the clothed figure. The important figure basics of materials and methods, proportions, values, head and hand anatomy, gestures and expression are all included. Beyond that, she covers clothing, how it moves, bends, folds, and fit on people. This is a very good reference for simple and expressive, if not highly detailed, drawing of clothed figures. A similar, though more narrowly focused book with realistic depictions of clothed figures is Lee Hammond's Draw Fashion Models! (Discover Drawing Series). For realistic painting of clothed and unclothed figures, Joseph Sheppard'sHow to Paint Like the Old Masters is one of the best.

I am a figurative painter, illustrator, and part time university instructor who owns two copies of this outstanding book: one for personal use and one as a supplement to teaching.There are very few books available on drawing the clothed figure, and fewer that are useful. This book is a must have for anyone who is a serious beginner or professional figurative artist.It is filled from cover to cover with clearly written text, outstanding drawings and diagrams, and valuable information and insight. Part 1 in the book covers the oft overlooked imperative issues of stance and holding the medium, direct drawing, telling a story, drawing in a sketchbook and drawing in your studio. Parts 2, 3, 4, and 5 progress in a logical way through valuable information on the figure and clothing, including: clear information on how body forms and clothing wrap around, folds including their types and how they move with the form and action of the body, fabric types and textures, patterns, and how to construct clothing on the body, plus pages on drawing hats and footwear. Part 6 includes information on design of the figure in clothing, drawing heads, hands, and children.Barbara Bradley's mastery of subject, joyful spirit, and understanding of how we think and feel moves this far beyond being a simple "How To" book. This book is about drawing the clothed figure, but it is also about expressing an opinion and portraying a living human being.

I strongly recommend this book for students and professionals. It is an outstanding reference book. Brilliantly illustrated and supported by clear explanations and insights.

Best book out there for drawing the clothed figure. Almost all others are about drawing the nude figure.

Great reference with many textures, positions, shapes, and techniques to help learn and perfect your artistic talent.I'm super picky about my art books and demand high quality and variety before I buy them. I'd buy this again.Love it. I recommend it HIGHLY from beginner to advanced artists. Very useful.

This book has given me so many great tips on drawing, and I've seen my work improve. I would recommend this book to anyone seeking to improve their people-drawing skills.

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